The Design Museum’s latest exhibition, Hope to Nope: Graphics and Politics 2008-2018, explores graphic design’s prominent role in the major political moments of our times.
Along with the 3-things-that-made-me-grateful-today that I text to my friend Lili before going to bed every night, I sometimes put together lists of all the amazing things that I’ve watched/read/listened/eaten. Here’s the three things that rocked my world this week:
Hayward Gallery at Southbank Centre reopened in Jan 2018 with the first major UK retrospective exhibition of Andreas Gursky. The exhibition maps out the evolution of the acclaimed photographer over a period of more than four decades, encompassing works from his early years to new pictures made in 2017.
Giraffe-like necks, almond eyes and blank stares. The works of Amedeo Modigliani are easy to recognize. Born in Livorno, Italy, he arrived in Paris in 1906 with a burning desire to become an artist. Even though he was best known as a painter, as Tate Modern’s retrospective exhibition reveals, he created impressive sculptures and drawings as well.
Monday night found me listening to electronic music with Icelandic lyrics whilst standing blindfolded between an Australian girl and a choir bass.
Fahrelnissa Zeid is renowned for her vibrant abstract paintings – a colourful and energetic fusion of Islamic, Byzantine, Arab and Persian influences with a pronounced European touch: the result of her being trained at École de Paris (School of Paris) in the 1950s and leading a cosmopolitan life as Prince and Iraqi ambassador Zeid Al-Hussein’s wife. Fahrelnissa Zeid was also an important figure in the avant-garde d Group that opened the doors for contemporary art trends in Turkey during the early 1940s.
With its endless options for food and entertainment, London can make you feel both relentless and overwhelmed. Here, to offer a helping hand, this week’s recommendations:
Living in London presents one with an abundance of opportunities. Here are this week’s suggestions so that you know where to begin.